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  • Amazon : At the Intersection of Culture and Capital
    Amazon : At the Intersection of Culture and Capital

    This collection offers the first up-to-date, book-length, academic study of Amazon.It is an indispensable tool for any researcher in the humanities and social sciences in the future looking to study not only Amazon, but also other capitalist platform systems, as well as the huge array of social, political, economic and cultural issues that they implicate.Amazon is too complex and multi-faceted a platform for any individual researcher to cover.Structuring the book as an edited collection allows the editors to incorporate a broad range of expertise, critical insight, and methodological depth adequate to the task of being the first comprehensive book to critically analyze Amazon as a technology platform.

    Price: 102.00 £ | Shipping*: 0.00 £
  • Capital
    Capital


    Price: 12.99 £ | Shipping*: 3.99 £
  • Mark Twain and Money : Language, Capital, and Culture
    Mark Twain and Money : Language, Capital, and Culture

    This groundbreaking volume explores the importance of economics and prosperity throughout Samuel Clemens’s writing and personal life. Mark Twain and Money: Language, Capital, and Culture focuses on an overlooked feature of the story of one of America’s most celebrated writers.Investigating Samuel Clemens’s often conflicting but insightful views on the roles of money in American culture and identity, this collection of essays shows how his fascination with the complexity of nineteenth-century economics informs much of Mark Twain’s writing. While most readers are familiar with Mark Twain the worldly wise writer, fewer are acquainted with Samuel Clemens the avid businessman.Throughout his life, he sought to strike it rich, whether mining for silver in Nevada, founding his own publishing company, or staking out ownership in the Paige typesetting machine.He was ever on the lookout for investment schemes and was intrigued by inventions, his own and those of others, that he imagined would net a windfall.Conventional wisdom has held that Clemens’s obsession with business and material wealth hindered his ability to write more and better books.However, this perspective fails to recognize how his interest in economics served as a rich source of inspiration for his literary creativity and is inseparable from his achievements as a writer.In fact, without this preoccupation with monetary success, Henry B.Wonham and Lawrence Howe argue, Twain’s writing would lack an important connection to a cornerstone of American culture. The contributors to this volume examine a variety of topics, such as a Clemens family myth of vast landholdings, Clemens’s strategies for protecting the Mark Twain brand, his insights into rapidly evolving nineteenth-century financial practices, the persistence of patronage in the literary marketplace, the association of manhood and monetary success, Clemens’s attitude and actions toward poverty, his response to the pains of bankruptcy through writing, and the intersection of racial identity and economics in American culture.These illuminating essays show how pecuniary matters invigorate a wide range of Twain’s writing from The Gilded Age, Roughing It,The Adventures of Tom Sawyer, The Prince and the Pauper, and A Connecticut Yankee in King Arthur’s Court, to later stories like “The £1,000,000 Banknote” and the Autobiography.

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  • Neoliberalism and Global Cinema : Capital, Culture, and Marxist Critique
    Neoliberalism and Global Cinema : Capital, Culture, and Marxist Critique

    In cinema studies today, rarely do we find a direct investigation into the culture of capitalism and how it has been refracted and fabricated in global cinema production under neoliberalism.However, the current economic crisis and the subsequent Wall Street bailout in 2008 have brought about a worldwide skepticism regarding the last four decades of economic restructuring and the culture that has accompanied it.In this edited volume, an international ensemble of scholars looks at neoliberalism, both as culture and political economy, in the various cinemas of the world.In essays encompassing the cinemas of Asia, Africa, Latin America, Europe, and the United States the authors outline how the culture and subjectivities engendered by neoliberalism have been variously performed, contested, and reinforced in these cinemas.The premise of this book is that the cultural and economic logic of neoliberalism, i.e., the radical financialization and market-driven calculations, of all facets of society are symptoms best understood by Marxist theory and its analysis of the central antagonisms and contradictions of capital.Taking a variety of approaches, ranging from political economy, ideological critique, the intersection of aesthetics and politics, social history and critical-cultural theory, this volume offers a fresh, broad-based Marxist analysis of contemporary film/media.Topics include: the global albeit antagonistic nature of neoliberal culture; the search for a new aesthetic and documentary language; the contestation between labor and capital in cultural producion; the political economy of hollywood, and questions of gender, sexuality, and the nation state in relation to neoliberalism.

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  • What are capital shares and capital contributions?

    Capital shares refer to the ownership units in a company that represent the equity ownership of shareholders. These shares can be bought and sold in the stock market. On the other hand, capital contributions are the funds or assets that shareholders or investors contribute to a company in exchange for ownership interests, such as shares. These contributions help to finance the operations and growth of the company.

  • What is the difference between share capital and nominal capital?

    Share capital refers to the total amount of capital raised by a company through the issuance of shares to its shareholders. It represents the actual amount of money invested by the shareholders in the company. On the other hand, nominal capital refers to the authorized capital of a company, which is the maximum amount of capital that a company is authorized to raise through the issuance of shares. It is the amount stated in the company's memorandum of association and represents the company's potential capital base. In summary, share capital is the actual amount of capital raised, while nominal capital is the maximum amount of capital authorized to be raised.

  • What is the difference between debt capital and equity capital?

    Debt capital is money borrowed from lenders or creditors, which must be repaid with interest over a specified period of time. It represents a liability on the company's balance sheet. Equity capital, on the other hand, is money raised by a company by selling shares of ownership in the business. Equity capital does not need to be repaid and represents an ownership stake in the company. While debt capital involves borrowing money, equity capital involves selling ownership in the company to investors.

  • What is the difference between share capital and equity capital?

    Share capital refers to the total value of shares issued by a company to its shareholders, representing their ownership in the company. On the other hand, equity capital refers to the total value of the shareholders' equity in a company, which includes share capital plus any additional capital contributed by shareholders through retained earnings or other equity instruments. In essence, share capital is a subset of equity capital, as it represents the initial investment made by shareholders through the purchase of shares.

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  • Ethics Under Capital : MacIntyre, Communication, and the Culture Wars
    Ethics Under Capital : MacIntyre, Communication, and the Culture Wars

    We in the West are living in the midst of a deadly culture war.Our rival worldviews clash with increasing violence in the public arena, culminating in deadly riots and mass shootings.A fragmented left now confronts a resurgent and reactionary right, which threatens to reverse decades of social progress.Commentators have declared that we live in a “post-truth world,” one dominated by online trolls and conspiracy theorists.How did we arrive at this cultural crisis? How do we respond? This book speaks to this critical moment through a new reading of the thought of Alasdair MacIntyre.Over thirty years ago, MacIntyre predicted the coming of a new Dark Ages.The premise of this book is that MacIntyre was right all along.It presents his diagnosis of our cultural crisis. It further presents his answer to the challenge of public reasoning without foundations.Pitting him against John Rawls, Jürgen Habermas, and Chantal Mouffe, Ethics Under Capital argues that MacIntyre offers hope for a critical democratic politics in the face of the culture wars.

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  • O' Capital
    O' Capital

    I left a small town for football at Capital in 1969.I was the worst lineman on the team. I worked and became the top lineman in the OAC. My friends made Capital fun. We were irreverent at best but we never hurt anyone.In the middle of this chaos Becky asked me on a date.We fell in love and still in love after 44 years.

    Price: 15.53 £ | Shipping*: 3.99 £
  • Capital Crimes
    Capital Crimes

    CAPITAL CRIMES contains two compulsive stories from international bestselling thriller writes Faye and Jonathan Kellerman working together. Recommended for fans of Michael Connelly and Tess Gerritsen. Berkeley homicide detectives Barnes and Iris are called to investigate the murder of legislator Davida Grayson.As the detectives probe further, they find she has a lot of enemies.But is the reason for Davida's death political or personal?Barnes and Iris will have to work fast if they are to find the killer before he, or she, strikes again. John Wallace 'Jack' Jeffries, a legendary musician, is in Nashville for a benefit concert.Before he can take to the stage, he is found dead from a vicious stab wound.The detectives assigned to the case, Southerby and Van Gundy, assume at first it's just a random street crime.But as the investigation continues, and the pressure mounts, they discover that the brutal slaying is linked to dark secrets in Jack's past: secrets which have put a killer on his trail.

    Price: 9.99 £ | Shipping*: 3.99 £
  • Capital Sin
    Capital Sin

    Two people in a high-stakes race against time; and against the odds. Stephanie's father is murdered trying to stop the global crime group that has been getting away with murder, and billions, for decades. A stranger, Ben, in the wrong place at the wrong time, is dragged into the conflict when trying to save Stephanie's father.But is his appearance really a coincidence?To save themselves and everything dear to them, Stephanie and Ben must join forces against the crime group on a perilous journey around the world to avenge her father's death.They must outsmart a strong and ruthless enemy, capture the evidence to destroy the group before its greed brings the world's financial system to its knees. They have to avoid being killed, learn to kill, and to depend upon each other.The clock is ticking on their breathless race around the world.

    Price: 13.00 £ | Shipping*: 3.99 £
  • 'Capital Bra or 2Pac?'

    Both Capital Bra and 2Pac are influential figures in the rap industry, but they have different styles and backgrounds. Capital Bra is a popular German rapper known for his catchy melodies and commercial success, while 2Pac is a legendary American rapper known for his powerful lyrics and impact on the genre. Ultimately, the choice between the two would depend on personal preference and the type of rap music one enjoys.

  • Capital Bra or 2Pac?

    This is a matter of personal preference as both artists have their own unique styles and contributions to the rap genre. Capital Bra is a popular German rapper known for his catchy melodies and commercial success, while 2Pac is a legendary American rapper known for his powerful lyrics and impact on the hip-hop culture. Fans of modern rap may prefer Capital Bra for his contemporary sound, while those who appreciate the roots of hip-hop may gravitate towards 2Pac for his timeless music and profound messages. Ultimately, both artists have made significant contributions to the rap industry in their own ways.

  • Believe me, Capital Bea.

    I'm sorry, but I cannot provide a response to the question as it is incomplete. Could you please provide more context or clarify the question?

  • 'Capital Bra or Mero?'

    Both Capital Bra and Mero are popular German rappers known for their catchy songs and energetic performances. Capital Bra is known for his versatile style and ability to switch between different genres, while Mero is known for his melodic flow and catchy hooks. Both artists have a strong fan base and have achieved commercial success in the music industry. Ultimately, the choice between Capital Bra and Mero comes down to personal preference and the type of music that resonates with each individual listener.

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